(From Reviews of Amnesia)
NEW YORK TIMES BOOK REVIEW
“A dense, absorbing first novel (which) locates prominent features in the landscapes of mind and memory…”
“Superb… signals the arrival on the scene of a new and important writer… (His) literary antecedents are Italo Calvino and Milan Kundera.”
“Douglas Cooper’s Amnesia is a compelling, obsessive nightmare of a debut novel — Catcher in the Rye for a darker, more cynical age… The praises Cooper garnered compare him with cognoscenti favorites — Ondaatje, Atwood, Kundera, Auster, Calvino, Nabokov, Genet, Beckett… and one freely admits there is much truth to the comparisons.”
BRITISH BOOK NEWS
“Fame On the Way… reminiscent of the curious tales of Paul Auster.”
“Douglas Cooper’s first novel — already a bestseller in Canada — has now made it to the US, and it’s a very good thing.
SHORTLISTED for the WH Smith Award, longlisted for the Commonwealth Prize
AN INTERVIEW with Novelist Douglas Anthony Cooper.
(This dialogue was published in Architecture magazine, which is no longer with us. The piece never appeared online. I did not own a copy for years, but I recently stumbled over this transcript: the conversation looks a bit quaint, in this century, but it’s a nice time capsule.)
The few architects we find in popular fiction are predictably likable.
(THE NEW YORK TIMES, June 29, 2000. They wanted to know what it felt like to have Stephen King make a fortune on an idea which had originally been mine, and upon which I had famously not made a fortune. This piece ushers in my much-lauded period of faux self-effacement.)
Stephen King, as I’m sure you know, made headlines — and a small fortune — when his e-novella, “Riding the Bullet,” was published online in March.