(From Reviews of Amnesia)
“Amnesia (is a) chilly, chilling first novel…. Its elliptical narrative style recalls works by D.M. Thomas, Paul Auster, Sam Shepard and Vladimir Nabokov…. One gradually comes to appreciate Mr. Cooper’s copious gifts: his ability to manufacture odd, cinematic images; his talent for creating a musically patterned narrative out of repeated symbols and motifs; his willingness to tackle ambitious intellectual themes.”
“Douglas Cooper’s Amnesia is a compelling, obsessive nightmare of a debut novel — Catcher in the Rye for a darker, more cynical age… The praises Cooper garnered compare him with cognoscenti favorites — Ondaatje, Atwood, Kundera, Auster, Calvino, Nabokov, Genet, Beckett… and one freely admits there is much truth to the comparisons.”
“Superb… signals the arrival on the scene of a new and important writer… (His) literary antecedents are Italo Calvino and Milan Kundera.”
“Fame On the Way… reminiscent of the curious tales of Paul Auster.”
“The ritual style with its overt symbolism recalls the haunting incantations of Jean Genet.
SHORTLISTED for the WH Smith Award, longlisted for the Commonwealth Prize.
(THE NEW YORK TIMES, June 29, 2000. They wanted to know what it felt like to have Stephen King make a fortune on an idea which had originally been mine, and upon which I had famously not made a fortune. This piece ushers in my much-lauded period of faux self-effacement.)
Stephen King, as I’m sure you know, made headlines — and a small fortune — when his e-novella, “Riding the Bullet,” was published online in March.
AN INTERVIEW with Novelist Douglas Anthony Cooper.
(This dialogue was published in Architecture magazine, which is no longer with us. The piece never appeared online. I did not own a copy for years, but I recently stumbled over this transcript: the conversation looks a bit quaint, in this century, but it’s a nice time capsule.)
The few architects we find in popular fiction are predictably likable.